{"id":1885,"date":"2024-08-01T17:38:13","date_gmt":"2024-08-01T17:38:13","guid":{"rendered":"https:\/\/ordagoteatro.com\/?page_id=1885"},"modified":"2025-08-27T17:03:13","modified_gmt":"2025-08-27T17:03:13","slug":"camarlengos","status":"publish","type":"page","link":"https:\/\/ordagoteatro.com\/es\/camarlengos\/","title":{"rendered":"CAMARLENGOS"},"content":{"rendered":"

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SOBRE LOS<\/h1>\n

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CAMARLENGOS<\/span><\/h5>\n

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Fue en el taller de teatro de Ermua donde nos conocimos\u2026<\/b>
\nHace ya un pu\u00f1ado de a\u00f1os, entre ensayos, nervios, risas y mucho por descubrir. Luego, como suele pasar, la vida nos llev\u00f3 por caminos distintos.<\/strong> (Spoiler: No se nos borraron los tel\u00e9fonos)<\/p>\n

Y hace 25 a\u00f1os<\/strong> nos volvimos a cruzar en Madrid. Y entre caf\u00e9s \u2014bueno, y algunas cervezas\u2014, risas y unos cuantos pasos de claqu\u00e9 bastante desastrosos (aunque eso s\u00ed, con mucha actitud), empezamos a fantasear<\/strong>:
\n\u201c\u00bfY si un d\u00eda montamos algo juntos?\u201d<\/b>
\nAlgo que mezclara el juego, el humor y las ganas de contar cosas\u2026<\/strong> sin ponernos muy intensos. O al menos no todo el rato. Y sin perder nunca el humor.<\/p>\n

Nos formamos, exploramos caminos distintos, trabajamos en mil cosas<\/strong> \u2014algunas creativas, otras no tanto\u2014 y acumulamos experiencias. Pero esa chispa del primer encuentro nunca se apag\u00f3.<\/p>\n

Ese \u201c\u00bfy si\u2026?\u201d acab\u00f3 dando forma a Camarlengos, un grupo nacido del reencuentro, la amistad, el humor absurdo (unos m\u00e1s que otros) y el amor por el teatro. Con m\u00e1s tablas, m\u00e1s canas (algunos) y la misma energ\u00eda de entonces.
\nEl resultado es \u00abLA INAUGURACI\u00d3N\u00bb, una obra en clave de clown pensada tanto para espacios de calle como de interior (s\u00ed, tambi\u00e9n cabemos en sitios con techo).
\nUn espect\u00e1culo donde lo solemne se desmadra, lo ceremonial se vuelve ca\u00f3tico, el protocolo se va al garete y la risa siempre acaba sali\u00e9ndose con la suya.<\/p>\n

Ven a re\u00edrte con nosotros. <\/b>O a emocionarte. O a aplaudir (si te renta). O a celebrar que, a veces, los \u201c\u00bfy si\u2026?\u201d se hacen realidad.
\nTe invitamos a este reencuentro que se ha cocinado a fuego lento durante 25 a\u00f1os.<\/strong><\/p>\n

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LA INAUGURACI\u00d3N<\/h2>\n

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Sinopsis<\/h3>\n

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\n

<\/span><\/p>\n

\n
\n

Un <\/span>gran evento se va a producir en tu localidad<\/span>… despu\u00e9s de mucho tiempo, la <\/span>inauguraci\u00f3n de una obra de arte, un monumento<\/span>, que har\u00e1 que tu pueblo aparezca en la gu\u00edas tur\u00edsticas m\u00e1s prestigiosas de mundo y que aparezca en el mapa, o eso dicen… algo as\u00ed como La fontana de Trevi, la Sirenita de Copenhage o el David de Miguel Angel en Florencia. <\/span>Todo parece ir estupendamente en el d\u00eda se\u00f1alado para la inauguraci\u00f3n.<\/span> Hasta que aparecen los encargados de la custodia del evento a la espera de la llegada de las autoridades para la inauguraci\u00f3n. <\/span>\u00bfQue puede salir mal, cuando estos personajes se encuentran en su primer dia de trabajo?<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bb16a54059-cc81-4572-9c70-eda6a6c419bf\u00bb text_font=\u00bbAkaya Telivigala||||||||\u00bb text_font_size=\u00bb21px\u00bb text_line_height=\u00bb1.8em\u00bb text_font_size_tablet=\u00bb18px\u00bb text_font_size_phone=\u00bb17px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

El Camarlengo<\/b> es el cardenal encargado de administrar la Santa Sede durante la Sede Vacante<\/b>, el per\u00edodo entre la muerte o renuncia de un papa y la elecci\u00f3n de su sucesor.<\/em><\/p>\n

Su funci\u00f3n principal es ser el \u00abcustodio\u00bb de la Iglesia, asegurando que todos los asuntos y bienes del Vaticano sean gestionados de manera ordenada hasta que un nuevo papa asuma el cargo. Tambi\u00e9n se encarga de la log\u00edstica y preparaci\u00f3n del c\u00f3nclave donde se elegir\u00e1 al nuevo pont\u00edfice.<\/em><\/p>\n

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Inspiraci\u00f3n<\/h3>\n

 <\/p>\n

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\u00bfQu\u00e9 hay detr\u00e1s de tanta pompa?<\/p>\n<\/div>\n

\n

Una <\/span>inauguraci\u00f3n<\/span> que <\/span>desenmascara el brillo vac\u00edo del poder<\/span>, el arte como adorno y vanidad\u2026<\/span><\/p>\n

<\/span><\/p>\n<\/div>\n

\n

Tres personajes<\/span> llegan al <\/span>lugar<\/span> menos indicado en el <\/span>momento m\u00e1s inoportuno<\/span>\u2026 <\/span>o<\/span> quiz\u00e1s, <\/span>al rev\u00e9s. Personajes que a la vez se transforman cuando reciben un poco de poder.<\/span><\/p>\n<\/div>\n

\n

Entre el caos y el humor<\/span>, nos enfrentan con una pregunta clave:<\/span> \u00bfEsto sirve\u2026 o solo decora?<\/span><\/p>\n

<\/span><\/p>\n<\/div>\n

\n

Grandes presupuestos, discursos vac\u00edos y obras que no comunican, cuando el arte no emociona, no transforma\u2026 simplemente es un gasto disfrazado.<\/p>\n

<\/span><\/p>\n<\/div>\n

\n

Esta inauguraci\u00f3n<\/span> de un monumento no <\/span>mide<\/span> el arte por su tama\u00f1o ni por su costo, sino <\/span>por su verdad, su impacto y su utilidad en la sociedad.<\/span><\/p>\n

Una propuesta provocadora, inc\u00f3moda y quiz\u00e1s, no lo sabemos todav\u00eda, necesaria.<\/p>\n<\/div>\n

\n

Te vas a re\u00edr.<\/span><\/p>\n<\/div>\n

\n

Te vas a incomodar.<\/span><\/p>\n<\/div>\n

\n

Te vas a preguntar: \u00bfQu\u00e9 estamos celebrando?<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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EQUIPO<\/h2>\n

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Direcci\u00f3n <\/em><\/span><\/h4>\n

NEREA ARIZNABARRETA<\/h4>\n

Coach actoral<\/em><\/span><\/h4>\n

MIREN IZASKUN ASUA AZKARATE<\/h4>\n

Producci\u00f3n y distribuci\u00f3n <\/em><\/span><\/h4>\n

JAVIER GRAGERA<\/h4>\n

T\u00e9cnica<\/em><\/span><\/h4>\n

JUANJO P\u00c9REZ<\/h4>\n

Interpretes<\/em><\/span><\/h4>\n

MIKEL AREITIO, JUANMA RODR\u00cdGUEZ, JUANJO P\u00c9REZ<\/h4>\n

 <\/p>\n

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